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- BOOKS, Page 79The $500,000 Firefly
-
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- A fracas over the winner of a lucrative prize illustrates why
- some literary contests are best left unheld
-
- By PAUL GRAY -- With reporting by Wendy Cole/New York
-
-
- Sure, everybody talks about how bummed out all the
- fictional versions of the future seem to be, but nobody does
- anything about it except Ted Turner. In November 1989, with the
- elan of someone ordering up cheerier wallpaper, the cable mogul
- created the Turner Tomorrow Awards for the purpose of inspiring
- authors the world over to "write about creative and positive
- solutions to global problems within an original work of
- fiction." The inducement to think happy thoughts: a top prize
- of $500,000.
-
- In this respect, at least, Turner showed a canny awareness
- of the literary temperament, which is more obsessed with money
- than is the Wharton School of Business. Half a million dollars
- might have cheered up Kafka. But would it have made him write a
- good book? This is where Turner's idea ran into trouble,
- eventually culminating in a debacle last week: a prizewinner
- that was immediately repudiated by some of the big names who had
- voted for it.
-
- Out of some 2,500 manuscripts submitted, a 55,000-word
- entry called Ishmael by free-lance writer Daniel Quinn, 55, was
- picked the best of the bunch. But wait a minute. The next day
- judges William Styron and Peter Matthiessen claimed that their
- panel did not want the full award to go to Ishmael -- described
- as "a series of philosophical conversations between a man and
- a great ape" -- and charged the Turner organization with
- misrepresenting their position in its publicity releases. Not
- so, said Ray Bradbury, another juror, who defended Ishmael and
- ragged his colleagues: "I think Styron and Matthiessen are
- literary snobs."
-
- This farcical behavior by otherwise estimable and talented
- people can be explained quite simply. All literary prizes --
- deeming apple A superior to orange B -- are more or less
- successful struggles with absurdity. The Turner awards were
- manifestly off the wall from their inception.
-
- Mistake one: good books materialize as mysteriously as
- fireflies, and the reputable awards cast a net to see what has
- flickered up during a set period of time, usually a year. In the
- case of the Nobel Prize for Literature, many seasons of
- fireflies are admissible as evidence. This is not true of the
- Turner Tomorrow Awards, which were conceived to conjure up and
- bless a firefly of their own design.
-
- Mistake two: the ideal panel for literary prizes is a
- group of harmless but well-read drudges who are happy with
- modest honorariums and the free coffee and doughnuts served at
- meetings. The Turner people made the blunder of assuming that
- prestigious judges would confer glitter on the new awards. They
- assembled, at $10,000 a pop, a blue-ribbon panel including not
- only Styron, Matthiessen and Bradbury but Nadine Gordimer and
- Carlos Fuentes as well.
-
- Big reputations tend to come with big egos, not to mention
- the truth that any three writers, of whatever fame, will find
- it hard to agree on where to have lunch. Add to this mix a
- $500,000 award that authors are instructed to hand out to
- someone else and the recipe for dissension is complete.
-
- After the controversy flared in the press, Matthiessen
- insisted that his quarrel is with the Turner organization and
- not with Daniel Quinn or Ishmael. "It's not a novel yet," he
- says of the winner. "It is an extremely clear and lucid
- presentation of valuable ideas that deserve a hearing." As for
- Quinn, he calls his victory "a Cinderella story, complete with
- the stepsisters howling at the side." Whether any of this will
- affect the Turner Tomorrow Awards is impossible to predict. It's
- hard to know what the future will bring.
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